Miró's oft-quoted interest in the assassination of painting is derived from a dislike of bourgeois art, which he believed was utilised as a means to promote propaganda and cultural identification amid the wealthy. Particularly, Miró responded to Cubism in this way, which by the time of his quotation experienced grow https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/